Wood Park

Neil Simon’s Barefoot in the Park at Burlington County Footlighters

With so many focused on upcoming sporting events, it didn’t surprise that Burlington County Footlighters would host theatre’s answer to one. The opponents in their contest featured the “shirts against the skins.” In this case, it was more the “stuffed shirts” in conflict with the “barefoots” through the vehicle of Neil Simon’s Barefoot in the Park. To show just how special this event, they brought in the Ho Chi Minh University of the Arts’ most famous graduate, Tim Sagges, to direct this run. I attended the opening night performance on January 26th.

Mr. Sagges displayed his unique brand of creativity even before the show began. In his playbill bio, he described himself as having graduated Hakuna Matada with a Master of Fine Arts degree in Trapeze performance while minoring in Merkin Mastery. This director chose an excellent comedy with which to exercise his talent for wit and inventiveness.

As the NFL All-Pro game will be played during this show’s run, I thought the casting very appropriate. The performers who took the stage played like South Jersey community theatre’s version of an all-star team. It featured three-time Irene Ryan nominee, Bailey Shaw in the lead as Corie Bratter. The newest member of the royal family of South Jersey community theatre, AJ Krier, played her husband Paul Bratter. One of the most versatile performers ever to grace the stage, Phyllis Josephson, played Corie’s mother. Gifted singer, dancer and actor, Rick Williams took on the role of eccentric free-spirit, Victor Velasco. Footlighters veteran Kevin Pavon returned to the Footlighters’ stage as Harry Pepper.

Neil Simon’s Barefoot in the Park premiered in 1963; two years before the playwright crafted The Odd Couple. The former contained a similar premise as a nonconformist young woman, Corie (Bailey Shaw), just moved into an apartment with her conservative husband of six days, Paul (AJ Krier). The show began with the two very much in love, but various issues with their new living accommodations began straining the marriage; a flamboyant free-loader living above them, Victor Velasco (Rick Williams) being one of them.

A visit from Corie’s mother, Ethel, (Phyllis Josephson) helped clarify the conflict. Ethel described her daughter’s “impulsive” personality as the opposite of hers and Paul’s. She also reluctantly acknowledged her loneliness. With the introduction of Victor Velasco, Corie came up with a scheme to set her mother up on a blind date. The two couples ended up dining at an establishment featuring Albanian fare. Then the battle between the “stuffed shirts” and “barefoots” kicked off.

Bailey Shaw treated theatregoers to an effervescent performance. As in the farcical The Fox on the Fairway, Ms. Shaw took on the role of an emotional personality. In Barefoot in the Park, the character contained more realistic traits. The performer deftly brought them to life. She played the bubbly aspects of Corie extraordinarily well while also giving Paul a compelling “silent treatment.” While doing so she managed to keep the role funny.

AJ Krier met the challenge of getting laughs while playing an ostensibly dull character. The son of Al Krier and brother of Lindsey, AJ brought his own distinct comedy style to the role. He displayed great skill bringing out Paul’s humorous metamorphosis into a personality with Corie’s qualities. I’m sure the latest heir to the Krier family acting dynasty made Dad and Sis proud with this performance.

Phyllis Josephson possesses a gift for performing unconventional characters. Some of her most memorable include Grandma in The Addams Family, Kimberly Akimbo and a Rapping Nun. She brought the same skill to the more orthodox Ethel.

I also witnessed Ms. Josephson perform a chilling Mama in ‘night Mother. The mom in this show didn’t possess the same intensity; which I welcomed. Ms. Josephson played a convincing and entertaining Ethel. She executed the most memorable entrance I’ve ever seen. She amused through the witty way she gasped while staggering through the door.

Rick Williams took on the part of smooth-talking gourmet Victor Velasco. For such a character, Mr. Williams showed great taste and delicacy in selecting the perfect voice. His choice of accent perfectly suited both the role and his warm baritone.

I’d also acknowledge the show’s other performers. Kevin Pavon brought an authentic New York accent to the role of Harry Pepper. Valerie Brothers and Torben Christensen played members of the most memorable moving company I’ve seen.

I’d also credit Amanda Cogdell for the authentic 1960s costuming and Jim Frazer for another phenomenal set design.

One action in the play seemed a bit odd. After returning from work while wearing his business suit, Mr. Krier changed ties prior to a dinner party. I could understand Paul being a “stuffed shirt”, but this still struck me as a strange thing to do.

Neil Simon crafted several of his plays so they built towards a crucial confrontation scene. Barefoot in the Park’s consisted of a fight between Ms. Shaw’s and Mr. Krier’s characters. They delivered the conflict I would’ve expected from the two. Mr. Krier expressed his lines with the formality one would expect from a lawyer. In the heat of the disagreement, he went to his briefcase, removed some papers and soullessly outlined the business aspects of a divorce. Ms. Shaw brought out Corie’s emotional personality through her dramatic crying. She impressed with her comical use of sobbing to get laughs from the audience.

Conveniently, Footlighters’ theatre borders Wood Park in Cinnaminson. After listening to Ms. Shaw’s character express the joys of walking barefoot in the park during the winter, I thought that maybe I should give it a try. Then a cold wind blew. I decided that task best left to either theatrical professionals or fictitious characters.

For those interested in watching the “stuffed shirts” take on the “barefoot” crowd, the show runs through February 10th. The outcome of the Pro Bowl, the Super Bowl and the Winter Olympics are unknown at the time of this writing. One thing is for certain about the conflict in Barefoot in the Park at Burlington County Footlighters: the audience will always end up the winner.