These days it may be “All about the Bass”, but in 1985 it was “All about the Green”. The Haddonfield Plays and Players took theatergoers back to an era of big hair, junk bonds and the New Coke through their presentation of The Wedding Singer. This Connor Twigg directed musical featured upbeat rocking numbers, romantic angst and even a Ronald Reagan impersonator. This show had something that would appeal to just about any audience member.
The Wedding Singer told the lugubrious tale of lovelorn loser Robbie Hart (played by Steve Stonis). He met waitress Julia (played by Jayne Zubris) at the reception hall where he worked. After the two discussed their pending nuptials (to other people), Julia asked Robbie to sing at her wedding. He agreed.
The next day Robbie’s fiancé, Linda (Tricia Gardner), broke up with him. She did so through a note that he received while waiting for her at the altar. The effects of his ensuing insanity included an inability to continue as a wedding singer. He reneged on his promise to sing at Julia’s wedding. Ever the gentleman, he agreed to help Julia prepare for her wedding. The two fell in love. This presented Julia with the dilemma: should she marry the man she loved or settle for Glen (played by Bobby Hayes): the guy who could provide her with all the material comforts she could ever desire?
The romantic twists kept coming. Robbie’s band mate Sammy’s (Evan Brody) ex-girlfriend, Holly (Genna Garofalo) developed an interest in him.
As a Who fan I’ve heard of rock operas. The Wedding Singer just may be the first rock and roll soap opera.
Steve Stonis played an excellent Robbie. I thought he did a great job in the scene where he spoke to Julia from inside a dumpster. The somber tone of voice he used managed to covey sadness while still getting laughs from the audience.
His best stage time occurred when he sat on his bed with his guitar and played “Somebody Kill Me Please”. He performed this number acoustically. In the movie of the same name, Adam Sandler cranked it out of an electric guitar. For my personal tastes, I preferred Mr. Stonis’ unplugged version.
Jayne Zubris displayed great emotion in her role as Julia. At first, her only life goal was to get married. Upon getting to know Robbie, her quest transitioned into a desire for true love. Ms. Zubris best conveyed Julia’s heart-wrenching conflict while singing the “If I Told You” number in a wedding dress. That helped me to understand the internal struggle plaguing the character.
Ms. Zubris also did a great job on the vocal harmonies. No singing is ever easy; especially on a very humid night. Her vocal skills enhanced the tunes “Awesome” and “Grow Old with You”.
In addition to directing this show, Connor Twigg also choreographed. He and the cast did a phenomenal job on “Saturday Night in the City”. It served as a perfect, high-energy ending for Act I.
The highlight of The Wedding Singer occurred when Tricia Gardner performed the “Let Me Come Home” number. In addition to a solid vocal performance, she executed a complex dance number. The latter included a summersault over Robbie. (I give Mr. Stonis credit. It takes a lot of courage and trust in your partner to let her do a summersault over your recumbent body.) The routine then entailed doing splits. Ms. Gardner performed this challenging sequence flawlessly. She impressed me even more by doing all this without getting hurt or injuring Mr. Stonis.
As expected, my friend Lisa Croce played a memorable role as the “Rappin’ Granny”. The Wedding Singer marked the first time I’ve heard her sing on stage. She delivered a beautiful rendition of “A Note from Grandma”. Living up to Grandma Rosie’s nickname, she kicked it out old school just as proficiently as she sang. In addition, she delivered the trademark comedic chops I’m accustomed to hearing from her. She sweated to the oldies in a way that would’ve made even Richard Simmons find humor in them.
Vitaliy Kin (in the role of George) got steady laughs through the evening, as well. Song accompanied his best humor. He joined Ms. Croce on the rap duet. He also sang Spandau Ballet’s “True” in Yiddish. As much as I found his performance funny, I still thought he crooned the ballad exceptionally well.
The show did experience a few technical issues. Static broadcast over Mr. Stonis’ microphone during the “Casualty of Love” number. In the next scene while in the dumpster, his mic cut out. The actor had to perform the remainder of the first act without amplification. Much to his credit, he handled the situation like a true professional. He didn’t allow this snafu affect his performance at all. Mr. Stonis delivered his lines loud enough that I could hear from the back of the room.
Unfortunately, this wasn’t the end of the technical glitches affecting Mr. Stonis for the evening. During the pivotal performance of “Grow Old with You”, his acoustic guitar was out of tune. When he played the instrument during the first act it sounded fine. Something must’ve happened to it back stage. Once again, he remained focused on performing the scene.
I saw Mr. Stonis in the lobby following the show. I didn’t have the opportunity to speak with him, but I noticed him smiling. I would suggest all the “temperamental” “artists” out there remember that.
To paraphrase Glen Gulia: the 1980’s may have been “All about the Green”, but I experienced some “green” at the end of this show. I felt a bit jealous of the skill and talent the cast and crew showed in putting on The Wedding Singer. I didn’t have to spend a lot of “green” to watch it, either. The Haddonfield Plays and Players will be performing The Wedding Singer until August 8th.