In The Bonds of Interest Jacinto Benavente presented a farcical tale of a pair of unconventional seventeenth century conmen. This disadvantaged duo duped everyone they met into believing the quiet member of the team a prestigious nobleman. Because of this, everyone granted them luxuries on credit. When part of the scheme entailed marrying the one off to a nobleman’s daughter, the two would discover whether or not the “bonds of interest” could overcome the desire for retribution.
Even though the comedy described an improbable story, the playwright still adhered to sold writing principles. Whenever a narrative focuses upon the exploits of two main characters, one is always portrayed as the dominant of the two. Benavente employed this method to brilliant effect while applying a twist to it.
The tale presented a scheme concocted by Crispin. While the dominant character, he masqueraded as Leander’s servant. When they encountered people, Crispin delivered most, and sometimes all of , the dialog. He touted the praises of his “master”, while serving as the outfit’s mastermind. The playwright balanced this character’s roles through his words very well.
I don’t like to give away spoilers, but the playwright crafted a brilliant plot twist regarding Leander. He did so by making him a well-developed character. While a fugitive from justice, he still behaved nobly in regard to his love interest, Silvia. Even though he participated in a large scale scam, he allowed his feelings for Silvia to allow him to express himself honestly.
The playwright used a clever technique to express this inner decency. He did so in the form of an insult. Crispin told Silvia’s father:
And after all, the only trouble with my master was that he had no money; no one could out do him in nobility of character; your grandchildren will be gentlemen even if that quality does not extend up to the grandfather. (Location 1683)
Leander’s transition illustrated exceptional writing ability on Benavente’s part. I applaud him even more for working it into a farcical story.
The Bonds of Interest included several memorable lines. My favorites included:
Men are like merchandise; they are worth more or less according to the salesman who markets them. (Location 1779)
It is as foolish to trust a man while he lives as a woman while she loves. (Location 661)
Love is all subtleties and the greatest subtlety of them all is not that lovers deceive others—it is that they so easily can deceive themselves. (Location 1240)
I had rather deal with a thousand knaves than one fool. (Location 1550)
With the understanding that the play was a farce regarding an unbelievable series of events, I only had one criticism of it. I admit it’s not a fair one, either. The drama premiered in 1907 and the writing style reflected that of the early twentieth century. At times I read some excessive exposition.
In the following example, Crispin explained his and Leander’s back story.
…But more than this, have you forgotten that they are searching for us in other parts and following on our heels? Can it be that all those glorious exploits of Mantua and Florence have been forgotten? Do you recall that famous lawsuit in Bologna? Three thousand two hundred pages of testimony already admitted against us before we withdrew in alarm at the sight of such prodigious expansive ability! (Location 1261)
To paraphrase Stephen King: everyone has a backstory. Most of it isn’t very interesting. It becomes even less exciting when a character keeps making the same point through consecutive sentences.
While first performed in 1907, The Bonds of Interest contains humor that still resonates. Combine that with the story of two people struggling to advance their station in life through a preposterous “get rich quick scheme.” That makes it just as entertaining today. To borrow a lesson from the play: don’t believe everything I wrote just because I wrote it. Read Benavente’s drama and decide if it bonds to your interest.