There’s a saying in sports that, “you don’t see a lot of big plays involving two rookies.” After Burlington County Footlighters’ 2nd Stage production of Sam Shepard’s True West no one can apply that expression to theatre. It featured the debut of both a director (Edwin Howard) and a leading man (Darin DeVivo) when I attended the opening night performance on April 13th.
The show featured a creative script. Screenwriter Austin (played by Kevin Roberts) house sat for his mother (Regina Deavitt Beaucheane) during her sojourn to Alaska. His hermetic brother Lee (Darin DeVivo) ended up visiting. Austin worked on a story that he’d been pitching to a Hollywood producer. Lee discussed his travels. During the course of their conversation, Austin agreed to help Lee write a story he had in his head. Complications ensued when the producer, Saul (played by Chuck Klotz), arrived. He decided that he liked Lee’s story more than Austin’s. He wanted Austin to abandon the one he’d been working on and help his brother with his. Perhaps as a bit of homage to Eugene O’Neil’s Beyond the Horizon, the brothers came to realize they’d been living each other’s dreams.
Edwin Howard did a superb job with Sam Shepard’s material. He ensured True West hooked the audience’s attention from the moment the lights went up.
Most theatrical shows focus on visual elements. This one placed much more emphasis on sound. It opened with an unconventional scene. Mr. Roberts sat at a kitchen table clacking on an old typewriter. Crickets chirped in the background. Mr. DeVivo walked about the stage. He used a gait that allowed his boots to tap percussively against the floor.
I first thought it brave of both the playwright and the director to begin a show with neither character speaking for several minutes. Then I realized the various sounds compensated for the silence. The performers established the mood through their actions.
Mr. DeVivo and Mr. Roberts displayed extraordinary chemistry working together. During the first act Austin’s dialog contained a lot of questions. This writing approach could have made the story drag. These two performers ensured that it stayed interesting.
Mr. Roberts looked the part of an intellectual. I thought it clever how he kept his collar buttoned through most of the show. His choice of voice sounded like that of an erudite Ivy League educated intellectual. When his character became intoxicated, he adjusted his delivery and played the scene convincingly.
Mr. DeVivo made his stage debut at Lee. He delivered such a strong performance that I have to believe the playbill contained a misprint. One has to respect his selection of such a demanding role to begin his career. He brought the character to life through both his dialog and mannerisms.
The character experienced a range of emotions during the play; the most memorable of which was anger. Mr. DeVivo portrayed the character’s temper so realistically that I flinched whenever he raised his voice. Whenever he became upset I felt uncomfortable watching him. In perhaps a theatre first, he hit a plate loaded with toast so hard that he sent the bread several feet into the air.
As memorable as I found the toast toss, my favorite scene was much more low- keyed. During one discussion, the two men stood across from one another. They each placed their hands on their hips and struck the same pose. While showing the characters’ similarity as brothers, they drew attention to the physical contrasts between them.
Chuck Klotz portrayed, Saul, the Hollywood producer. He selected the perfect voice for the role. He attempted to persuade Austin into working with Lee like a true Tinsletown dealmaker.
Even with the limited stage time afforded her, Regina Deavitt Beaucheane turned in a fine performance as the mother. The laid back approach she took towards the role contrasted well with the tension occurring on stage.
Both Edwin Howard and Jim Frazer played multiple roles behind the scenes. Mr. Howard worked with Mr. Frazer on the set design. Mr. Frazer and Tim Sagges teamed up to handle the lighting and sound.
Earlier in this review I mentioned the importance sound played in True West. Those with sensitive hearing should be aware that the show contained a lot of noise. Aside from Mr. DeVivo’s hollering, it included pots and pans getting tossed onto the floor, aluminum cans either getting thrown into a sink or being hit with a golf club and pounding on a table.
Those with an aversion to getting hit by toast may not want to sit in the front row, either.
To see newcomers perform so well with material this challenging, one wonders what kind of show would suit them for their sophomore efforts. Just a thought: are Mr. Howard and Mr. DeVivo familiar with Buried Child? Until then, True West runs through April 21st at Burlington County Footlighters 2nd Stage.