Vas mir. I thought I’d go meshuga when I read the glossary in the playbill. Crossing Delancey contained a host of Yiddish expressions. I felt like a schmendrik after spending my gelt to listen to dialog containing words I wouldn’t understand. Then the show started. As I heard the machers and yentas tzimis about a shadkhin the story’s zees keit moved me. Curiously, it also happened to contain the most comprehensible language I’d heard all day. F’shtast? Well, you would if you’d witnessed the show at Burlington County Footlighters 2nd Stage.
Torben Christiansen made his directorial debut March 23rd with this romantic comedy. He explained to me that he “saw the show” a couple of years ago and “loved it.” The next day he contacted Footlighters. He asked for the chance to bring this Susan Sandler piece to their stage.
A full house attended the opening night performance. Both the audience and the company were delighted with what Mr. Christiansen did with the opportunity.
Crossing Delancey presented the story of an unconventional love triangle. Isabelle (or Izzy, played by Erin Bell) developed a crush on her favorite author, Tyler Moss (Ricardo Esteves). The latter frequented the bookstore where she worked. As she found the courage to pursue him, a complication ensued.
Her Bubbie (or grandmother, played by Susan Dewey) contacted a shadkhn (a marriage broker) named Hannah (performed by Jeanne Wayman). She tried to set Izzy up with a pickle salesman named Sam (Buddy Deal). Izzy found her affections torn between the sophisticated author and the traditional Jewish boy. A series of comical and moving scenes resulted.
Erin Bell portrayed the different aspects of Izzy’s personality with equal skill. She played a bookworm overcome by infatuation in her scenes with Mr. Esteves. When performing with Ms. Dewey, she became the dutiful granddaughter. Through her interactions with Mr. Deal she developed Izzy into a mature woman.
Ms. Bell presented her lines in a genuine New York accent. Her facial expressions enhanced her dialog very well.
Susan Dewey turned in stellar performance as the grandmother, or Bubby. She also spoke in a credible accent, sounding like a true New Yorker. She conveyed the character’s love for Izzy and genuine interest in her happiness. The way she feigned not recognizing Sam at the end of the play brought the right amount of humor to a tender moment.
The playwright gave Ms. Dewey’s character the play’s best lines. I liked the conviction with which she delivered: “loneliness is a disease.”
Buddy Deal brought immense depth to the role of Sam. He delivered his lines in a soft spoken manner allowing the power of Ms. Sandler’s words their full impact. A steady stream of “awwwww”s from the house followed his attempts to woo Izzy. I’ve never witnessed a performer draw that kind of reaction from a crowd. The women in the audience swooned over his performance.
The same audience remained silent when Sam’s romantic rival performed one scene wearing nothing but a bath towel. I guess that proves it really is all in the delivery, guys.
Ricardo Esteves played a superb villain. Through both his manner of speech and gestures, he captured the essence of the character’s arrogance and egotism. I applaud his portraying the base aspects of Tyler’s personality while still keeping the role funny.
Mr. Esteves and Ms. Bell performed the most comical love scene in the history of theatre. In enacting one of Izzy’s fantasies, they expressed their feelings for one another in the book store. They did so in an exaggerated way that made it hysterical. It impressed me that they could enact the scene without laughing or even smiling.
Jeanne Wayman really got into the role of Hannah, the marriage arranger. When she made her entrance she handed out cards to the ladies in the audience. Ms. Wayman brought a lot of passion to the role. I enjoyed her first attempt to interest Izzy in Sam.
Mr. Christiansen explained that he wanted to get the best people for this show. This cast displayed great chemistry working together. They also stood out as individuals. It’s tough to find a better combination than that.
Footlighters utilizes the 2nd Stage theatre for smaller scale productions. Crossing Delancey developed into a more high tech spectacle than I expected at that venue. I credit Jim Frazer and Mr. Christiansen for their work on the set. They designed both the kitchen and the book store sections very well. Tim Sagges and Valerie Brothers managed the lights and sound flawlessly.
Some audiences may not be familiar with the Yiddish expressions, but all theatregoers will recognize Crossing Delancey’s themes. Who can’t empathize with a character torn between infatuation and a sweet person with a good heart? Not to mention receiving pressure from family to get married. We can all understand those situations. Zie ge zunt. The show runs through March 31st.