White Chrysanthemum presented a fictitious account of the most heinous war crime ever committed. The book detailed one character’s ordeal with the use of rape as a weapon during the largest scale use of it in history. The story also explored the effect of this inhumane practice on those not personally victimized by it. An engrossing read that sears into one’s consciousness resulted.
The book’s title derived from the white chrysanthemum representing a symbol of mourning. It established the tone prior to reading the story.
Mary Lynn Bracht crafted a heartrending tale involving two sisters affected by Japan’s occupation of Korea during the Second World War. The scenes set in the 1940s described Hana’s ordeal after the Japanese military abducted her. In order to protect her younger sister, she gave herself up to a group of soldiers who wandered onto her home island. They transported her into distant Manchuria to serve as a “comfort woman”; the Empire’s choice euphemism for “forced prostitution.”
The scenes that transpired during the modern era (2011) described how Hana’s sister Emi struggled to achieve peace with her past. The historical events plaguing the nascent state of South Korea impacted her on a personal level. A larger part of her emotional battle emanated from her guilt over her sister’s selfless sacrifice.
I liked the author’s choice of structure. The chapters alternated between one that depicted Hana’s suffering in the 1940s with one that told Emi’s journey in the 2010s. Ms. Bracht deftly crafted endings to each story line that kept me interested in learning more. Her suspenseful writing style made it very difficult for me to stop reading.
I also applaud the way the author returned to each character’s tale after just one chapter. Ms. Bracht built tension and engaged the reader without dragging out the story. She executed this balance exceptionally.
The author made a great decision to write in the present tense. It gave me a sense that the events occurred while I read. The story possessed a sense of immediacy that enhanced the tension. Hana’s torment took on much more impact; as did Emi’s suffering.
I found sections of this book extraordinarily well written. Here’s an excerpt from one of the best:
The doorknob squeaks as it turns, and Hana feigns sleep. The door swings open and a stream of light shines on her shut eyelids. She relaxes the muscles in her face and mimics the deep breaths of slumber, forcing her chest to rise and fall in a slow, steady rhythm. The flashlight flicks off. The room falls back into darkness. Footsteps pad inside. The door clicks shut. Hana stops breathing.
A ghostly wind howls through the rafters above their heads. The brothel seems to gasp, and the wind rushes through the window. Hana opens her eyes and stares into the darkness. A black shape stands by the door. For a long time, it doesn’t move. The crickets have stopped chirping, and the mice seem to have frozen midstep. The intruder’s shallow breaths fill the void left by their silence.
He takes a step toward her, and she clutches the blanket tighter. He takes another step and before she can stop herself, she sits up and backs away from him, cowering in the corner.
“Do not be afraid,” he whispers. “It’s me.” (Location 1885)
I could stop writing this review at this point. After reading that passage I’m sure some have clicked off of this blog and are buying the book.
For those still reading, the author included some other exceptional usage of language.
His face hovers above her, cloaked in shadow, and she fills in the black void with the man in her memory. The one who raped her first and called it a kindness, before condemning her to this unimaginable life. Not life, but purgatory in the underworld. (Location 1903)
Sometimes old wounds need to be reopened to let them properly heal…(Location 1344)
People these days seem content to search for happiness in life. That is something her generation never fathomed, that happiness is a basic human right, but now it seems like a possibility. (Location 2817)
While an exceptional story and a difficult book to put down, I did disagree with the author’s approach from the denouement through the ending. While Ms. Bracht crafted a conclusion that fit with the narrative thread, I found it unbelievable. Part of that may stem from the other portions being so realistic by comparison. At any rate, I do acknowledge it as a legitimate artistic choice on the author’s part.
Ms. Bracht brought out the plight of the “comfort women” through White Chrysanthemum. Someone once observed that Japanese war criminals benefited from there being no Simon Wiesenthals in the country following the war. Let’s hope there are more Mary Lynn Brachts to continue illuminating this dark chapter of human history.