Gracie Sokoloff

A Christmas Story at Haddonfield Plays and Players

Haddonfield Plays and Players gave theatergoers an early Christmas present this year. The company opted to present the theatrical version of the beloved Holiday favorite A Christmas Story. They didn’t have to triple dog dare me to see this one. I attended the opening night performance on Friday, December 7.

Ralphie (played by Elliott Crosby) wanted just one thing for Christmas: (take a deep breath) a Red Ryder carbine action 200-shot range model air rifle with a compass and a thing that tells time built into the stock. To do so, he orchestrated a plan. He saturated his mom and dad with flyers in some unconventional places. For a school project he crafted an essay describing how much he hoped to receive one. He even asked the Santa at Higbee’s Department Store for it.

I’ll write what everyone reading this is thinking: a kid could put his eye out with that thing. Keep in mind this is theatre. It made for a good story.

Director Emily McHale, the cast and crew selected a very challenging show to perform. A Christmas Story isn’t just a classic: almost every scene in it is iconic. Who isn’t familiar with Flick and the pole, Dad and Ralphie changing the flat tire and the Old Man’s “major award”? It’s difficult to present something this popular without drawing comparisons to the original. Despite the hurdle Ms. McHale selected the perfect cast to achieve this task. They give this version a unique character.

Dan Safeer delivered exceptional narration. I last saw Mr. Safeer perform in Murder by Poe, also presented by Haddonfield Plays and Players. In that show he delivered an impassioned rendition of Poe’s “The Tell Tale Heart” from memory. The Old Ralph role took that premise to a higher level.

In addition to Ralphie’s quest for (take a deep breath) a Red Ryder carbine action 200-shot range model air rifle with a compass and a thing that tells time built into the stock, A Christmas Story included several ancillary vignettes. Mr. Safeer’s character established the background for all of them. Some of these set-ups were quite verbose. The performer rendered them flawlessly.

Elliott Crosby brought the role of young Ralphie to the stage. He brought out the humor in the character’s quest for (take another deep breath) a Red Ryder carbine action 200-shot range model air rifle with a compass and a thing that tells time built into the stock.

Playing Ralphie required a lot of range. Mr. Crosby displayed it. He became a strong straight man when Wesley Halloway (as Ralphie’s brother Randy) cried, “I have to go wee-wee!” He stuttered and trembled when performing opposite Ralphie’s love interest, Esther (played by Emma Scherz).

Pat DeFusco and Nicole DeRosa Lukatis complimented each other very well as the parents. They displayed witty interaction working together as The Old Man filled out the quiz to win a “major award.” They enacted a very witty “Battle of the Lamp” scene that would delight the film’s fans.

Mr. DeFusco’s gravelly voice well suited The Old Man’s persona. It enhanced his profanity implied jabberwocky. His subtle mannerisms got laughs, too. My favorite occurred through his expressions of dislike for Mother’s meatloaf.

Ms. Lukatis played a great contrast as the more realistic of the two parents. The performer showed Mother’s empathetic side when downplaying Raphie’s fight to The Old Man. She still brought out the humor in the character. Ms. Lukatis best did so during the famous scene where Mother placed a bar of soap in Ralphie’s mouth.

I’d credit Nell Watts (as Raphie’s teacher Miss Shields) for presenting the performance’s funniest moment. While marking papers with an oversized pencil she hollered about the importance of “MARGINS.” Upon reading Ralphie’s paper she abruptly shifted the character’s mood. Ms. Watts expressed immense enthusiasm over (take a deep breath again) his written request for a Red Ryder carbine action 200-shot range model air rifle with a compass and a thing that tells time built into the stock. Ms. Watts danced about the stage and praised the paper with a distinct brand of farcical melodrama.

Performers Wesley Holloway, Zach Johnson, Kevin Stickel, Maddox Morfit-Tighe, Emma Scherz, Grazie Sokoloff, Logan Murphy, Novalee Seward, and Emma Scott completed the comical ensemble.

This Christmas I might not get a (take a deep breath one last time) a Red Ryder carbine action 200-shot range model air rifle with a compass and a thing that tells time built into the stock. Watching A Christmas Story at Haddonfield Plays and Players proved a much better gift. A Holiday show this entertaining can be as rare as Indiana snakes, gators and monsoons. It runs through December 22nd. If you don’t see it by then, you might as well be afflicted with soap poisoning.

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A Christmas Carol at Haddonfield Plays and Players

HPP A Christmas CarolThe originality of A Christmas Carol always impressed me. I never would’ve imagined someone spending Christmas alone while haunted by the ghosts of the past, present and future without the use of alcohol. I also found the dramatic presentation of this tale performed by Haddonfield Plays and Players to be equally distinctive. The cast delivered a stellar rendition of this sine qua non of the Holiday season. I attended the December 1, 2017 performance directed by Mark Karcher.

Michael Hicks delivered a haunting performance of a haunted man. Mr. Hicks is a superb and gifted actor. Several years ago I had the pleasure of watching his exceptional interpretation of Dr. Sloper in the Haddonfield Plays and Players production of The Heiress. (Talk about a character that reveled in bitterness and alcohol.) I relished the opportunity to watch his rendition of what began as the most miserable character in literature. This time the role required a transition into a joyous humanitarian. Would Mr. Hicks meet the challenge?

This performer went beyond what many would do in order to get into character. To adopt Scrooge’s appearance he grew mutton chops. He delivered the iconic line “bah, humbug” with suave assurance. Mr. Hicks then craftily brought the audience into the character’s metamorphosis from a self-absorbed miser into a kindly philanthropist. As morose as he portrayed Scrooge at the show’s beginning at the end he became a different character. He demonstrated the laughter and joy of a man impassioned with humanity. Dickens’ character changed dramatically, and Mr. Hicks brought that transformation to life on the Haddonfield Players’ stage.

A Christmas Carol featured an exceptional visual spectacle. I actually heard gasps from the audience when the Ghost of Christmas Past (played by Jennie Pines) made her appearance. Ms. Pines wore a white gown similar to a wedding dress. A strand of bright lights wrapped around her. The theatre became dark. As she descended down the aisle, her entrance created the illusion of an apparition floating from the heavens down to the stage. Then the rotating specks of light against the backdrop simulated snowfall. Ms. Pines costume along with the set combined for a beautiful image of a winter wonderland.

I received an early Christmas Present with Alex Levitt playing the Ghost of Christmas Present. I enjoyed watching this veteran of the Haddonfield Players return to the stage. He applied more range to the role than I would’ve expected. The character began as a jolly and merry soul. Before his exit, he delivered a minatory warning to Scrooge. Mr. Levitt selected a raspy voice in which to do so. The long beard combined with the red robe made him look like Santa Clause. The contrast between his appearance and his delivery made for an interesting scene.

George Clark’s sound design enhanced the atmospherics. The echo effect on Ms. Pines’ voice made her character even more ethereal. When used on Tony Killian’s (as the ghost of Jacob Marley) it made him much more horrifying.

While not the musical version of A Christmas Carol, the dramatic performance still showcased some fantastic singing. Nicky Intrieri (as Tiny Tim) delivered an outstanding unaccompanied solo number. The falsetto choir’s rendition of Holiday staples such as “Hark, the Herald Angels Sing” and “Silent Night” emanated a superb Yuletide spirit.

I’ve written before that I don’t care for narration in live drama. John Mortimer adapted this rendition of A Christmas Carol for the stage. Instead of one story teller he decided that just about every performer should narrate some section of the tale. While I find this type of exposition annoying, in this show I also found much of it unnecessary. The most egregious offenders included:

“Scrooge sees Marley’s face on the door knocker.” A character delivered this line as I watched Scrooge both look at and comment upon Marley’s face on the door knocker.

“Scrooge hears bells.” A narrator said this line while my ears rang (no pun intended) with the sound of myriad bells going off in the theatre.

“Marley walked down the stairs dragging his chains.” This one requires no further explanation.

To all the budding dramatists out there: show or tell. Make a choice. Don’t do both.

I’d like to credit Edwin Howard for putting his power tools to proficient work on the set design. The London backdrop featuring Big Ben, London Bridge and the full moon made great scenery.

It’s also proper to recognize the other performers who rounded out a stellar cast. Their combined efforts delivered a very entertaining evening: Dan Safeer, Jonathan Greenstein, Jay Burton, Tony Killian, Jennifer Flynn, Maddox Mofit-Tighe, Gracie Sokiloff, Brynne Gaffney, Gianna Cosby, Tess Smith, Ryan McDermott, Jake Hufner, John Williams, Isabella Mulliner, John Bravo, Ricky Conway, Anne Buckwheat, Olivia Williams, Jenn Adams, E’Nubian Beckett, Jessi Gollin, Solaida Santiago, and Nadia Faulk.

It’s hard to imagine the Holiday Season without experiencing A Christmas Carol in some form. For those interested in witnessing it performed live, the Haddonfield Players are presenting a great version. That’s no “humbug.” The show runs through December 16th. After that, the Ghost of Christmas Past may just haunt you for not taking advantage of the opportunity.