Elizabeth Deal

Theatre Review – The Fox on the Fairway at Burlington County Footlighters

Ken Ludwig crafted the most atypical adaption of a classical work of literature ever performed on the stage. In her giddy and bubbly way, Louise (played by Bailey Shaw) introduced The Fox on the Fairway as essentially a modern rendition of Thucydides’ History of the Peloponnesian War. The setting took place not along the Aegean Sea, but at the Quail Valley Country Club. In lieu of javelins and arrows, the combatants took the field with irons, drivers and putters. While eschewing traditional combat tactics such as blockades and sieges, the Pericles and Alcibades of the links utilized chicanery and gambling to vanquish their opponent. The result: a farcical spin on golf. I attended Burlington County Footlighters opening night performance of this comic piece on January 20, 2017.

The story contained a lot of conflict for a light comedy. A synopsis of it shares the complexity of Thucydides’ masterpiece. You might want to bring a score card to keep track of this one.

Henry Bingham (played by Dan Brothers) faced a dilemma. Every year his organization, the Quail Valley Country Club, would lose the big tournament to Silly Squirrel; a rival club run by his arch nemesis Dickie Bell (Alan Krier). Knowing he had a star golfer (of dubious membership) who would guarantee victory, Bingham wagered a substantial sum on this annual contest. Since he knew he couldn’t lose he agreed to add his wife’s antique shop to the bet without her knowledge. After making the deal Dickie revealed that the star golfer had quit Quail Valley and just joined his club. Then Quail Valley’s Vice President, Mrs. Peabody (played by Elizabeth Deal), informed Bingham that the board decided to fire him if the club lost the big tournament again.

Fortunately, Bingham discovered that Justin (played by Kevin Pavon), one of his new employees, shot rounds in the mid-sixties. He and Mrs. Peabody connived to make Justin a member of the club and enter him in the tournament. Problems solved, right?

No, there’s more. Justin had recently become engaged to Louise (played by Bailey Shaw). His fast track admission to a prestigious country club combined with the love of a beautiful woman should’ve put Justin at the top of his game, so to speak. But another complication ensued. Louise happened to be the most emotionally high-strung person ever to grace this earth. Justin also had a bit of a quirk himself: he’d become a horrible golfer when anything upset him.

Louise then lost her engagement ring (originally Justin’s grandmother’s) while her beau played in the tournament. The two quarreled over the matter causing both their relationship and his golf game to suffer. At the same time, Bingham’s wife Muriel (played by Eileen Rackus) learned of his reckless gamble.

Director Valerie Brothers selected the perfect cast of players for such an amusing story. Their superb complimenting of one another allowed me to follow what would have been a very confusing series of connections. Mrs. Brothers assembled a group of people who displayed the best chemistry I’ve witnessed on a live stage together. It showed when they tossed a “nineteenth century English Ming vase” around the room.  The object travelled back-and-forth through the air to different players standing several feet apart. Each member of the ensemble impressed me by catching it cleanly.

The best moment of the evening occurred at the conclusion. Following the curtain call, the ensemble shouted, “One more time!” The cast then proceeded to re-enact the entire show in about two minutes. The first time around they delivered an impressive performance. They did the whirlwind version just as brilliantly.

Even when paired in twos, the players complimented one another extremely well. Dan Brothers and Alan Krier performed like a classic comedy team together. Mr. Brothers and Mr. Krier worked off each other exceptionally well when they made the bet. The former took a cocky, uptight approach to the scene while Mr. Krier delivered his lines like a cocky, carefree persona. Their attire reflected these personalities. Mr. Brothers’ conservative gray suit contrasted brilliantly with Mr. Krier’s increasingly outlandish sweaters. Kudos to Dana Marie Marquart: the silly squirrel sweater seamstress.

Mr. Brothers and Ms. Deal enhanced one another’s performances in their shared scenes; he portraying the unhappy husband, she as the lovelorn woman with three failed marriages. They developed the characters’ relationship steadily throughout the show. The most memorable part occurred when they attempted to set-up a romantic dinner for Justin and Louise. Its unforeseen consequences led to the two sharing a few drinks. As they drowned their inhibitions, comedic hijinks ensued. Ms. Deal lay on the ground and presented Mr. Brothers the opportunity to hit a golf ball out of her mouth. His character unwittingly professed his longing for her into an open microphone; thus revealing his deepest most intimate desires to the entire tournament crowd.

Bailey Shaw showcased an exceptional rendition of a rather hyper and emotionally volatile woman. When Kevin Pavon’s character proposed to her she became giddy and ecstatic. Upon losing her engagement ring she converted into a tearful and despondent person; doing so in a way that still got laughs. That’s not an easy achievement. When Mr. Pavon forgave her he made an offhand comment related to the incident. That’s not a good thing to do to a rather hyper and emotionally volatile woman. She abruptly became livid and stomped around stage before exiting.

Kevin Pavon’s character ran through a range of emotions as well. He needed to in order to cope with Louise’s caprices and to deal with Bingham’s machinations. This performer played them all convincingly. I could empathize with him when he tried to console Louise and unwittingly made the situation worse. A pretty comical pre-golf shot dance became part of his repertoire, as well.

For lack of a better expression, Eileen Rackus’ character served as the comic relief. That’s quite a challenge among this group of quirky performers. She played best opposite Mr. Krier. I liked the dynamic of a gruff unhappily married woman interacting with a carefree lothario. I credit her selection of a great voice for her character. She spoke in a tone both angry and loud; at times she sounded as though growling. While speaking in this manner, she still kept it funny.

The cast of Footlighters’ productions often makes the audience feel like part of the show. For this performance they brought me personally into the action much more than usual. When seeking a replacement golfer for the tournament, Ms. Deal suggested a series of names to Mr. Brothers. His character rejected all of them as being poor golfers. One name that came up during the discussion was Kevin Stephany.

I would inform Mr. Brothers I’m a very consistent golfer. I always shoot between the high 50s and low 60s…at least until the third hole…when playing miniature golf.

From a story standpoint, I can’t dispute the choice of Ms. Shaw’s character over me to participate in the contest. While I’m often very critical of myself, I strongly suspect she wore the red dress better than I would have. Nor will I make any effort to prove that wrong.

They say all is fair in love and war. Burlington County Footlighters’ presentation of Ken Ludwig’s The Fox on the Fairway proved that golf pushes the envelope when it comes to that premise. After watching the six characters interact all evening, it made the Peloponnesian War seem like a game of touch football and a golf outing seem like a rugby match. While the show didn’t inspire me to join a country club, it did provide an audience with a very funny and entertaining evening. Now to paraphrase one of Mr. Krier’s more colorful sweaters: if you “like big putts” check it out.

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Neil Simon’s Rumors Presented by Burlington County Footlighters

I heard a rumor that Burlington County Footlighters were putting on a show that featured a series of misunderstandings, slapstick humor and numerous comedic antics. Much to my relief they didn’t present a stage rendition of a Three’s Company episode. On Friday night I experienced the pleasure of attending the opening night showing of Neil Simon’s Rumors directed by Scott Angehr.

The title served as a good summation of this show’s content.  Upon arriving for a dinner party hosted by the Deputy Mayor of New York and his wife, guests Ken Gorman (Played by Gary Werner) and Chris Gorman (played by Corinne Hower-Greene) discovered him bleeding while his wife and servants were missing. They suspected he attempted suicide. They then called a doctor. When Chris got him on the phone, Ken then told her to say everything was fine. It turned out the Deputy Mayor only shot off part of his earlobe. Ken thought it best to discover what happened before contacting anyone else. He didn’t want his friend to get involved in a scandal.

Following that, more guests started arriving. Lenny Ganz (played by Paul Sollimo) and Claire Ganz (Megan Shafranski) entered the house. Ken and Chris used a series of stories to explain why the Deputy Mayor, his wife and the servants weren’t at the party. After they discovered the truth, more guests showed up. The four of them decided not to tell the new arrivals, Ernie Cusack (Greg Northram) and Cookie Cusack (Valerie Brothers), what had happened. This turned in to quite a challenge as Mr. Cusack worked as a psychoanalyst.

Gossip swirled around the characters’ romantic peccadillos. That led to even more misunderstandings. Are you following the plot at all? Well, it doesn’t matter. What is important is that all these antics made for an enjoyable evening of comedic mishaps from a series of quirky characters played by talented thespians.

The true highlight of the evening took place in the interplay between Glenn Cooper (played by Dan Brothers) and his wife Cassie (played by the omni-talented Rachel Comenzo). In the past I’ve watched Mr. Brothers perform serious dramatic roles. Most recently I saw him play the grief-stricken father in Footlighters’ production of Rabbit Hole. I’ve also attended several performances featuring Ms. Comenzo. She’s a gifted actress, but I’ve always thought her a stronger singer and dancer. When I read the cast list, it interested me to see how the two of them would play a married couple in a comedy. They both delivered performances well in excess of my expectations.

There’s an old adage about Hell having no fury like a woman scorned. Ms. Comenzo showed that Humorous Heaven has a special place for one, too. She did a phenomenal job of balancing anger and comedy in her opening argument with Mr. Brothers. I liked the way she could raise her voice in the context of an emotional conversation while still speaking clearly. Following this outburst, she admired herself in the mirror. These mannerisms provided great insight into the character.

Mr. Brothers did a fantastic job playing the “innocent” husband in the face of his wife’s accusations. In addition, he handled the physical comedy very well. In the hands of most performers slapstick becomes caricature. Mr. Brothers demonstrated that he isn’t “most performers.” He convincingly handled falling down after getting hit by a door. The most memorable moment of his performance occurred after his wife assaulted him with a phone. Mr. Brothers has a natural bass voice. With cotton stuffed up his nose he spoke in a high-pitched nasal squeal. Like his counterpart, he talked very clearly.

Proficiency at physical comedy must run in the family. Mr. Brother’s real-life wife, Valerie Brothers, got in on the act in her role as Cookie Cusack. Her character suffered from back problems that prevented her from both “walking” and “sitting”.  The audience roared as she made her way across the stage on her hands and feet with her body at a 90 degree angle. In order to do that she first had to lift herself out of a chair using only her upper body.

As readers if this blog are aware, in the past I’ve been attacked for making “troubling” and “disturbing” comments about female costuming. During this show I did have an observation about one of the actress’ attire. In the interest of artistic integrity I’m going to state it.

Corrine Hower-Greene played Chris Gorman, very well. From the trembling voice, the facial expressions and stumbling around the stage with a wine bottle she displayed the appropriate mannerisms of a neurotic woman. I thought some of her attire too distracting, though. While the plain black evening gown she wore contrasted well with the solid white background, my eyes kept getting drawn to her shoes. I agree that glittery silver shoes would be appropriate attire for a dinner party. I could imagine her character wearing them to such an occasion. For me, they stood out and kept diverting my attention. With the exception of Valerie Brothers, whose character wore a white dress, all the other actors wore dark colored shoes. As I wrote, Ms. Hower-Green is an exceptional performer with great stage presence. Audiences should be watching her performance, not staring at her shoes.

The antics and misunderstandings continued until the final curtain. The surprise ending left open the possibility of a sequel. If someone writes one, let’s hope the cast of Burlington County Footlighters’ production is available. They had such fantastic chemistry working together that I’d welcome the opportunity to see them reprise these roles. And that’s a fact, not a rumor.

Theatre Review – Ten Times Two at Burlington County Footlighters’ 2nd Stage

Burlington County Footlighters’ 2nd Stage Productions treated me like royalty last night. They sat me so close to the production that I felt like I was on the stage with the actors. It gave me the same sensations of importance I imagine an aristocrat at Shakespeare’s Globe Theatre experienced. In addition, I got to sit next to the performance’s director. Initially, I didn’t recognize her. When Ms. Deal arrived I got up to offer her my seat. It had a better view of the stage. She told me to stay where I was since she’d “seen it (the play) before.” This group took VIP treatment to a whole new level!

David Belke’s Ten Times Two: The Eternal Courtship told the story of Ephraim’s (played by D. J. Hedgepath) 676 year pursuit of Constance (Corrine Hower-Greene) with the Host (Paul Sollimo) acting as a sort of matchmaker. As one can guess from the time frame, which began in 1399, this love affair possessed an unusual twist to it. Ephraim spent his life in pursuit of evil which led to his being cursed with immortality. The Host made a bet with him: if Ephraim could win Constance’s love, he’d lift the curse. This quest would lead Ephraim back to the same inn every 75 years to woo her various reincarnations.

Elizabeth Deal made her directorial debut with this three-character comedy. What a job she did. Each thespian delivered such outstanding performances that I thought I was watching community theater’s equivalent of an all-star game.

D. J. Hedgepath delivered a stellar performance. Mr. Hedgepath is on his way to being known as “The James Brown of South Jersey Community Theatre.” He played a key role in Burlington County Footlighters recent production of Bonnie and Clyde. Once Ten Times Two wraps, he’ll be starring in The Addams Family at the Maple Shade Arts Council. This thespian could claim the title of “The Hardest Working Man in Show Business” right now.

Mr. Hedgepath’s passion and commitment to his craft really came through last night. He delivered his lines in a flawless British accent. I found his character’s transition from selfish thug to sensitive romantic very believable through his interpretation. The way he broke down while telling Constance’s 2000 incarnation he was “giving up” nearly brought me to tears. He managed to deliver exceptional comedic chops while still bringing delicacy and tenderness to the role. That’s quite an accomplishment. After all, at the audience’s first introduction to his character, Ephraim was malicious and unlikable.

Corrine Hower-Greene delivered a strong performance as Constance. She showed exceptional range as an actress. Every reincarnation entailed playing a completely different character; each with a totally different accent. She transitioned into each role flawlessly. I especially enjoyed the humor she brought to the country farm girl. While speaking in a cockney accent with her mouthful I could still understand her. That impressed me. With all the European characters she played, I was very surprised at how convincingly she performed the role of the drunken American flapper.

Paul Sollimo presented the Host role extremely well. He made a great artistic choice with the soft-high pitched British accent he used. It served as a neat contrast to the malevolent nature of his character. The Host addressed an imaginary audience in a few scenes. It took a lot of courage to be the only performer on stage and speaking to pretend characters. He did so very believably. In a number of scenes with Ephraim and Constance, the Host character kind of drifted off into the background. Mr. Sollimo remained relevant to the action through his deft facial expressions.

Burlington County Footlighters’ 2nd Stage Productions take place in a much smaller room than the main stage. The seating capacity is probably around thirty. Because of the size of the room and the time I got there I sat far to stage right. Because of the angle there were times when the performers had their backs to me. With that acknowledgement, my location meant there were times when the action took place directly in front of me. Since the director sat directly to my left, I don’t think it appropriate for me to raise too much of an issue about my own seating.

The air conditioner droned few feet behind me to the right. While all the performers broadcast their voices very well, there were times I had trouble hearing. As with any show, there were times when the actors’ vocal inflections needed to become quieter. When that happened I did struggle to understand the dialog.

I’d classify Ten Times Two as a theatrical version of a “chick flick”. While I’m not a big fan of light-hearted romantic comedies I did enjoy this show. The fact I can write that is a true testament to the cast and crew’s skill. The show runs through June 27th. See it while you can. I don’t know if Footlighters plans to host it again every 75 years starting in 2090.