Johnathan Larson must’ve had a profound hatred for actors when he wrote Rent. This musical presented the most challenging material I’ve ever witnessed on a live stage. Watching it performed by a community theater group really impressed me. I enjoyed the stellar performances even more.
Rent featured an extraordinary array of musical styles. Tracks such as “One Song Glory” harkened back to standard Rock and Roll. “Tango: Maureen” was just that: a tango. “Seasons of Love” took me back to the age of Aquarius. The musical also had some numbers for more ‘traditional’ theater fans. I thought the titletrack probably the closest to a standard ‘show tune’ sound.
The vocal routines by this cast were mind blowing. Leilah Murphy (as Mimi Marquez) qualified for a Gold Medal in gymnastics with her performance. It’s hard to sing in front of a group of people. It’s harder to sing and dance in front of group of people. During her rendition of “Out Tonight” Ms. Murphy did these things, while swinging from a beam and then sliding down a pole. It impressed me even more that she pulled all this off without getting hurt.
Mike Wemer (as Tom Collins) also displayed some exceptional vocal skills. The reprise to “I’ll Cover You” showcased his vocal prowess the most. Mr. Wemer began the song as a baritone. A high note came in at the end that he nailed flawlessly. I should also point out that this number came up at the most somber moment of the play. Mr. Wemer sang while nearly crying. All I can say is, “Wow.”
Kiara Rodriguez (as Joanne Jefferson) gave Mariah Carey a run for her money as a singer. Several times during the evening Ms. Rodriguez hit notes close to dog whistle territory. As I told the lady sitting next to me, “She hit those notes better than I would have.”
The most challenging aspect of performing Rent involved the subject matter. It followed a group of bohemians through a year of their lives. Their struggles and heartbreaks served as the crux of the story. Most of the characters suffered from HIV or AIDS. It took a very special group of actors to animate this story in such an entertaining way. Kudos also to Amanda Frederick (as Maureen Johnson) for getting the audience involved with “Over the Moon”.
I also have to give credit to Jonathan Mosesku’s performance as Angel Schunard. (For those unfamiliar with the play, the latter character is a drag queen.) Any man who can run around a stage in high heels and not fall down certainly deserves respect. I struggle walking in flip-flops. I don’t know how the hell he pulled that off.
Matt Dotzman (as Mark Cohen), Mike Reisman (as Roger Davis), and Zack Treusch (as Benjamin Coffin III) turned in fine performances, as well.
I also credit director Chris Focarile for pulling the whole thing together. Gina Petti did an exceptional job as choreographer. (Ms. Petti also played a number of roles in the play.) Those two should qualify for a PMP for staging this production. With all the different characters and the host of intricate musical numbers, they did a phenomenal job.
Jonathan Larson may not have liked actors, but I liked the ones in the Bridge Players Theater Company. In addition, I always enjoy seeing Pulitzer Prize winning plays at community theater groups. This way my wallet doesn’t get ‘rent’.