Way back in my youth I often wondered how Sesame Street would’ve appeared if I’d been under the influence and listening to the Allman Brothers Band’s Live at the Fillmore East. Without the benefit of either of those, this afternoon I received my answer in the form of the Burlington County Footlighters production of Avenue Q. Spending a day listening to muppets curse, discuss homosexuality and internet pornography made me wish I’d put my idea into practice and made a little money off it. I have to admit author Jeff Whitty and songwriters Robert Lopez and Jeff Marx did a much better job than my meager talents could have.
Director Sean Flaherty, Musical Director Sean Mehlbaum, and the BCF cast did a phenomenal job bringing this story to life. The cast performed superbly in presenting a pessimistic premise in a witty and entertaining way. The only times I recall the audience not laughing occurred during the musical numbers and the various applause periods.
I’d never witnessed a community theater production before, and the level of talent I saw in the performers greatly exceeded my expectations. It takes a lot of skill to speak in different voices. It takes even more aptitude to sing in different ones while dancing and working a puppet. A special hat’s off goes to actors Matthew Holman (who played Princeton and Rod) as well as C. J. Kish (who played Nicky, Trekkie, and one of the Bad Idea Bears). I’d never seen either of these actors perform in the past, but I’d have to say I think either one of these thespians could be budding Seth MacFarlaines in terms of vocal skills.
While I would classify Avenue Q as a comedy despite the story’s pessimistic premise, the true highlight of the evening for me took place at the end of Act I. Actress Lindsey Krier’s (Kate Monster) moving performance of the ballad “There’s a Fine, Fine Line” almost brought me to tears. That’s a hell of an accomplishment for an actress playing a muppet. Before readers comment on my emotional reaction to such, here are some of the lyrics.
There’s a fine, fine line between a fairy tale and a lie.
As well as
There’s a fine, fine line between what you wanted and what you got.
But there’s a fine, fine line between love and a waste of your time.
If I had to summarize Avenue Q in one sentence I’d select the first lyric cited above. In essence, the story described the tribulations of a group of people (and muppets) in their early twenties who discover that life isn’t everything they thought it would be while in college. The show included musical numbers to reflect this such as “What Do You Do with a B. A. in English?” and “I Wish I Could Go Back to College.” The characters lived on Avenue Q, located far away from the upscale Avenue A. The character of Princeton searched for a purpose, while his love interest, Kate Monster, searched for a boyfriend. Other dramatis personae included two human characters Brian (Derek L. Miller) an unemployed 32 year old want-to-be stand-up comedian and his similarly unemployed girlfriend with two masters degrees, Christmas Eve (Jillian Starr-Renbjor). The cast of characters also included former child star Gary Coleman as the building superintendent (played exceptionally well by Leilah Murphy). Rounding out the line-up were the two Bad Idea Bear muppets (C. J. Kish and Kori Rife) and Lucy the Slut (played by Rachel Kapulskey). Yes, you read that correctly. One of the muppets was named Lucy the Slut. The onanistic muppet Trekkie (C. J. Kish) rounded out the ensemble.
It would be an understatement to write that characters this diverse and quirky made for a very interesting show. Prior to the performance the announcer declared that language some would find offensive would occur in the performance. Although the main characters were muppets, this was not a show suitable for children. With my maturity level, I felt a little surprised they let me in the building.
Everyone in the cast performed magnificently in their roles. I admired the way a number of actors/actresses also served as extra puppeteers. It took a lot of talent and hard work to make this show work.
I’d also like to credit the crew for weaving together the lighting, the projections and the set with the functioning windows. The live band sounded tight. For a high tech show, it impressed me that everything went flawlessly without technical glitches.
Burlington County Footlighters billed Avenue Q as an “adult musical.” The script dealt with adult themes in many ways. Aside from the myriad comedic yuks, it addressed the serious side of growing up. It centered on when a person recognizes the gaps between youthful expectation and grown-up reality. (There’s a fine, fine line between what you wanted and what you got.) I can think of no better testament to the skill of the cast, director and crew at the Burlington County Footlighters than to say everyone left the theater with a smile on his/her face. The show runs through May 17th.