Dorothy opined that “there’s no place like home,” but this weekend there was no place like Haddonfield Plays and Players. The company presented a musical tribute to L. Frank Baum’s classic tale. The encomium occurred in the form of a musical cabaret titled A Trip to Oz. Fans put on their ruby red slippers and marched down the yellow brick road until reaching the Emerald City that is Haddonfield Plays and Players.
Talk about serendipity. Last weekend I attended an online watch party. It featured a 1974 live recording of Pink Floyd performing The Dark Side of the Moon. This weekend I decided it “time” to determine the accuracy of the rumor about the album synching up with the soundtrack to the Wizard of Oz. * Haddonfield Plays and Players allowed me to “breathe” easier by helping me find the answer. I took the musical journey in the form of A Trip to Oz on March 30th.
Director/Producer Pat DeFusco and the team at HPP displayed monumental creativity with this concept. They also expanded on the company’s history of presenting shows that correspond to holidays. Just last month HPP staged Love Letters to commemorate Valentine’s Day. It surprised me that they didn’t put on a special program for St. Patrick’s Day. Then this show began. Almost every performer in this show wore green. Tami Gordon Brody even accessorized with emerald ear rings and an emerald necklace. I liked the untraditional method of referencing to the season. The use of green still alluded to the Emerald City; a key figure in Oz. Bravo for tying both together.
The cabaret featured renditions of songs performed in The Wiz, Wicked and both the film and theatrical versions of The Wizard of Oz.
The entire company took the stage at both the show’s beginning and conclusion. They opened with “Merry Old Land of Oz” and ended by performing two numbers together. Following “For Good”, they selected the perfect tune to finish the program. In perhaps a veiled public service announcement about driving home safely, they used “Ease on Down the Road” as the finale.
A Trip to Oz included some songs with mind twisting melodies. Some of them would have impressed King Crimson’s founder, Robert Fripp. Special credit goes to Alexa Gershon for her performance of “The Wizard and I” and Tami Gordon Brody for “Home.” They delivered powerful versions of very intricate material.
Evan Brody took the idea of following in his mother’s footsteps literally. He walked on stage right after his mom’s performance. He delivered what he promised in his version of the upbeat “Dancing through Life.” After the intermission he returned and delivered a moving rendition of the classic “If I Only Had a Heart.”
Amber Kusching added the role of disco diva to her already extensive repertoire. Ms. Kusching delivered a funky toe tapping rendition of “You Can’t Win” that included a well thought out dance routine. She deserves a lot of credit for executing her moves while wearing heels. Ms. Kusching also thrilled the audience with her vocal prowess on “No Good Deed.”
The Stage Kidz added one of their dance routines to the set. Choreographer Brennan Diorio directed performers Abigail Brown, Leah Cedar, Logan Endes, Ava Favieri, Hope Gallagher, Lucas Oelten, Jesse Plumley, Tess Smith and Olivia Bee Sposa through the dance accompaniment to “The Jitterbug.”
Love stories happen even in Oz. The cabaret included two duets between performers Kristine Bonaventura and Chris McGinnis. They moved the audience with “As Long As You’re Mine” and “What is This Feeling.”
Those familiar with the Oz franchise know it includes numerous beautiful songs. The performers in this cabaret delivered some stellar versions of them. Deanna Beaucher sang a wonderful “Over the Rainbow”, Gaby Frasca performed an inspiring “Believe in Yourself” and Kate Sherlock delivered an emotional version of “I’m Not That Girl.”
Dana Masterman Weiss performed the musical apotheosis of narcissism known as “Popular.” Ms. Weiss got into character for this song. The performer added the perfect mannerisms and gestures to express her character’s self-absorption. It’s this type of skill that makes Ms. Weiss so “popular” with HPP’s audiences.
The following performers added their exceptional talents to the program as well: Isabel Bramhall sang “Defying Gravity”, Catherine Davies performed “Already Home” Eric Monzo delivered a song that lived up to its title, “Wonderful.”
In addition to producing and directing, Pat DeFusco managed the sound and projections. The pictures on the screen included images from The Wizard of Oz, The Wiz and Wicked. Mr. DeFusco even added snippets from the films for effect. Stage Manager Omi Parrilla-Dunne ensured that the production proceeded perfectly.
I found the show very entertaining and well performed. I didn’t like the fact that it began eight minutes late. I also didn’t like how 15 minutes after the show’s scheduled start time audience members were still taking their seats. When people come in late it creates a distraction for both the performers and the spectators. It’s also dangerous for people to walk around in a darkened room.
I would remind everyone of some good advice someone gave me: “If you can’t be on time: be early.”
To my ears the music from The Wizard of Oz didn’t synch up with The Dark Side of the Moon. I lost “money” on that bet. My situation reminded me of a story. Ray Bolger, the performer who played the Scarecrow in the 1939 movie, had an interesting observation regarding his own financial situation. When asked if he received a lot of money due to the film’s success, he replied, “No, just immortality. I’ll settle for that.” As the cabaret only ran for two performances, A Trip to Oz may have achieved the same status with theatregoers.
*Alan Parsons, the sound engineer during the recording of The Dark Side of the Moon, has denied this.