It’s not often one encounters a musical that so well captures the essence of the generation that inspired it. Avenue Q featured iconic anthems to the new millennium such as “What Do You Do with a B.A. in English?”, “It Sucks to Be Me” and “The Internet is for Porn.” To those unfamiliar with it, a show like this would seem to possess the life-affirming nature of something out of Ibsen or O’Neill. Instead, Avenue Q’s creators opted to explore this era from a lighter point-of-view. They utilized an unusual technique in that they added puppets as characters; even including an explicit love scene between two of them. The Collingswood Community Theatre’s production even included a cameo by the town’s mayor.
You’d have to see this one to believe it.
I attended the Saturday evening performance on January 12, 2019. It took place at the Scottish Rite Theatre in Collingswood.
Director Mary Baldwin established the ambiance the moment I entered the theatre. The set designer, Chuck Jackson, crafted a set that resembled both the buildings from Sesame Street and the neighborhood from Rent. It provided the perfect background for this story.
As those unfamiliar with the show have guessed, Avenue Q contained a pretty complicated plot. A muppet named Princeton (played by Sean Coyle) needed a place to live. He found apartments from Avenue A through Avenue P too expensive. Arriving at Avenue Q, he met a series of eccentric characters. They included: 32 year old Brian (Ross Shannon), an aspiring stand-up comic ten years out of college; his fiancée, a Japanese woman with two masters degrees, named Christmas Eve (Linda Mozdzen); a closeted homosexual muppet investment banker, Rod (played by John Dunn); his muppet roommate Nicky (CJ Kish), pornography addicted muppet Trekkie Monster (also played by CJ Kish) and the building superintendent, former child star Gary Coleman (Alicia Smartt). Muppet Kate Monster (Lisa Kain Marcelli) developed a romantic interest in Princeton. Through all this he sought his purpose.
There’s an old cliché that a person “can never be too rich or too thin.” Avenue Q’s author (Jeff Witty) along with its lyricists and songwriters Robert Lopez and Jeff Marx apparently believed that a musical can never be “too original.” To complete the ensemble they included muppet Lucy the Slut (Stef Bucholski) to complicate Princeton’s and Kate’s romance. The Bad Idea Bears (performed by Cara Davis and Kate Scharff) served as Princeton’s and Kate’s demons. Kate’s muppet boss, Mrs. Thistletwat (Kaitlyn Halligan) antagonized Kate.
It amazed me that, even including intermission, all this wrapped up in under 2-1/2 hours.
Since the show contained a cartoonish premise, it required actors with skill for voices. I’d credit them for their abilities to, not only speak in unusual voices, but to sing in them as well. My two favorites were the neurotic whining John Dunn chose for Rod and the gravelly tone CJ Kish provided for Trekkie.
Lisa Kain Marcelli performed an extraordinary rendition of “There’s a Fine, Fine Line” to conclude Act One. Last summer I complimented Ms. Marcelli for her rendition of “Tell Me It’s Not True” at the Collingswood Community Theatre production of Blood Brothers. She impressed by being able to cry, sing in an English accent while still remaining in key. In retrospect, it seems that she used that performance to practice for this one.
Ms. Marcelli delivered an impassioned version of “There’s a Fine, Fine Line.” She explored a range of sad and angry emotions during the performance. She used excellent facial expressions to compliment the number’s somber lyrics while singing like someone becoming unhinged. Ms. Marcelli managed to do all this while operating a puppet. Bravo.
2018 was a sad time for Rhythm and Blues fans. After losing Aretha Franklin in August, we commemorated the 12th anniversary of James Brown’s passing this Christmas. On Boxing Day we recognized the 19th anniversary of losing Curtis Mayfield. It’s refreshing to hear the spirit of real R&B living on in performers such as Stef Bucholski.
It takes a certain kind of talent to make a muppet seem seductive. Enter Stef Bucholski. This performer delivered a sultry, soulful version of “Special.” It showed just how special her singing is.
The group worked in something that’s becoming a tradition at the Collingswood Community Theatre’s winter shows. After the curtain call, the cast performed an encore. They returned to the stage and sang the Philadelphia Eagles fight song.
Olivia Marcelli and Emily Jackson completed the ensemble. Brian Kain directed the music and Katie Scharff choreographed.
Avenue Q showed the lives of twenty-somethings struggling to cope with life after college. In effect, it centered on the resulting conflict when a person’s reality falls short of his/her dreams. It made for some pretty interesting theatre. The show premiered in 2003. The so-called “Great Recession”, the explosion of the opioid epidemic, and the rise of populism hadn’t occurred at that time. It would be curious to watch the same characters attempt to deal with these kinds of problems. A sequel would make for even more interesting theatre.
The Collingswood Community Theatre will perform Avenue Q through January 20th at the Scottish Rite Theatre.