Without question, Sweeney Todd: The Demon Barber of Fleet Street is the show that best combines the trilogy of vengeance, cannibalism and hairstyling. This mix gave it an originality seldom witnessed in the annals of theatre. I experienced the pleasure of the Collingswood Community Theatre’s presentation of this Stephen Sondheim musical on July 13, 2017.
The atmosphere director Mary Baldwin created far exceeded what one would expect from community theatre. The cast and crew transformed the Grand Ballroom at the Scottish Rite into an eerie incarnation of Victorian London. The smoke, dim lighting and ominous music fashioned a chilling atmosphere. The lantern carrying cast members pacing onto the stage from all directions added to the sense of dread. It created the perfect mood for the story.
Sweeney Todd presented the tale of its pseudonymous character originally known as Benjamin Barker (played by CJ Kish). Judge Turpin (Ryan Adams) imprisoned him on false charges. A nefarious desire motivated this deed: the magistrate longed for Mrs. Barker. The man formerly known as Benjamin Barker escaped a penal colony in Australia. He returned to London calling himself Sweeney Todd. He revealed his lugubrious story to a man he encountered on the street, Anthony (played by Chris Fitting). Then he entered his former residence. Now it housed the pie shop of a widow, Mrs. Lovett (Lisa Kain Marcelli).
The woman revealed that Mrs. Barker poisoned herself following Judge Turpin’s attack. In case some audience members still didn’t quite understand just how evil the judge’s nature: he also took in Todd’s daughter, Johanna (Stacie Krawiecki) as his ward. Now he wanted to marry her. Mr. Todd didn’t take this news well. Through his reaction, Mrs. Lovett determined his true identity.
In a somewhat unexpected lifestyle choice from a good Christian gentleman brought up on the values of Victorian England, Todd consecrated his life to vengeance. At the same time, Mrs. Lovett lamented the high cost of ingredients for her pies. The two then came up with a resourceful solution to both their dilemmas.
CJ Kish delivered an extraordinary performance as Todd. He nailed every one of the role’s complex facets. He sang impeccably. While bringing the character’s dark nature to life, he got laughs, as well. I relished watching him enact myriad emotions when Judge Turpin (Ryan Adams) sat in his barber’s chair. Mr. Kish varied his demeanor from resentment to obsequiousness with each sentence he delivered.
I’ve commented before on the energy Mr. Kish displays on stage. I appreciated the passion he brought to this character, as well. He maintained the same level of intensity from the beginning until the end of the show; not an easy feat with this role’s demands.
I also have to credit Mr. Kish for his appearance. With his bushy hair and mutton chops, I could visualize him as the “Demon Barber of Fleet Street.” His malign facial expressions rounded out the persona. The careful use of red lights accentuated his horrifying vibe. If someone would allow a figure that ominous to place a razor at his throat, he probably deserved what he got.
Lisa Kain Marcelli did an extraordinary job transforming into her character, Mrs. Lovett. Her British accent sounded very authentic. Vocally, it made me think of Edith Bunker, only from England. One has to credit her for singing so well with that inflection. I especially enjoyed her crooning on “By the Sea.”
As with The Producers, I enjoyed watching Mr. Kish and Chris Fitting work together. Mr. Fitting delivered stellar vocals on the pining ballad “Johanna.” I also appreciated his impassioned acting performance in the scene where he rescued his love from the madhouse.
Faith Charlton had a busy night. This performer portrayed the Beggar Woman and the barber, Pirelli. Ms. Carlton possesses an amazing voice. She showed off her vocal prowess in “The Contest.” In her various roles, she spoke in the accents of a British woman and an Italian man. Later in the show she also delivered dialog in an Irish brogue. That’s quite a range.
If someone asked me, “What provides a better bass tone: a Fender Bass Guitar or Ryan Adams’ voice?” While a difficult choice, I’d be inclined to answer the latter. Mr. Adams selected a great baritone inflection for the judge. His scat singing to Mr. Kish’s whistling on “Pretty Women” served as my favorite moment from the show.
Rounding out the cast, Cara Davis played the role of a young boy. Her measured interpretation of the child’s descent into madness chilled me. Patrick Waldron performed the role of the judge’s henchman, Beadle. I liked how he fused the traits of a viscous thug with those of a music lover into the same character. Stacie Krawiecki contributed her remarkable vocals to the performance, as well. I enjoyed her rendition of “Green Finch and Linnet Bird.”
This Collingswood Community Theatre production featured authentic looking costumes. Ellen Geigel’s designs made the sojourn back to Victorian times even more convincing.
Brian Kain did a superb job conducting a fabulous orchestra.
Sweeney Todd may not be everyone’s favorite musical about cannibalism, revenge and hairstyling. I’m pretty sure it would at least make most people’s top twenty containing that combination. If all had the privilege to watch the Collingswood Community Theatre present it in the Grand Ballroom, it would undoubtedly move up to number one on the list. I’ll never forget it. And I’ll never forgive Collingswood Community Theatre for ending their summer season so soon…well, only until next summer.