“Something can happen that’s outside the rules, that doesn’t relate to the way The Game is Played.” (Location 1078) That one line serves as a good synopsis of Edward Albee’s Tony Award winning play, The Goat, or Who is Sylvia? Imagine, if you will, Martin’s wife Stevie discovering that her husband had been unfaithful. While marital infidelity would be an appropriate topic for a tragedy, the playwright opted to take the drama much further. The object of Martin’s affections wasn’t another woman; or even another man, for that matter. Instead, Martin had fallen for…well, let me allow him to describe his feelings.
(Slow; deliberate) “And what I felt was unlike anything I’d ever felt before. It was so…amazing. There she was.” (Location 1496)
…She was looking at me with those eyes of hers and…I melted, I think. I think that’s what I did: I melted. (Location 1507)
I’d never seen such an expression. It was pure…and trusting and…and innocent; so…so guileless. (Location 1507)
Mr. Albee used this play as a vehicle for exploring social taboos. I only wish he’d chosen a less taboo subject with which to do so. The above lines came from Martin’s confession to Stevie that he’d fallen in love with a (ugh) goat.
In spite of the unorthodox nature of the story, the playwright managed to work in some humor. Here’s another exchange between Martin and Stevie. In this one Martin explained his (ugh) attraction to Sylvia.
Martin: …that she and I were…(Softly; embarrassed) that she and I were going to go to bed together.
Stevie: To stall together! To hay! Not to bed. (Location 1607)
The playwright added another complexion to this situation. He made the couple’s son Billy a homosexual. At one point he told his father:
…you’ve figured out that raising a kid does not include making him into a carbon copy of you, that you’re letting me think you’re putting up with me being gay far better than you probably are. (Location 1879)
This enhanced the drama in that Martin didn’t feel totally comfortable with his son’s sexuality. This at the same time he pursued a (ugh) physical relationship with a goat.
In the text Martin noted, “So that’s what it comes down to, eh?…what we can get away with?” (Location 2060) Mr. Albee could’ve described the play itself with these words. While a very unorthodox work, even based on what I’d expect from Edward Albee, I enjoyed reading it. As I suspect many readers would, I found the situation bizarre. The playwright still crafted believable dialog. His deft interjections of humor helped make the unsettling topic a little easier to handle. It took a very gifted playwright to accomplish all this.
Obviously, this drama won’t appeal to all readers or theatregoers. I still applaud Mr. Albee for daring audiences to open their minds and to challenge social conventions. That’s what only the very best writers achieve through their work.